I show you how to pitch without an agent
How to get noticed without industry ties
And how to land a “YES” after everyone else told you “NO”
You’ve tried creating content but nothing’s landed
You’ve been told “no” by the industry (or You’ve been rejected or ignored by industry people
You’re not in LA, don’t know anyone, and still believe your show idea matters
You’re done waiting for a “yes” and want a real strategy
Not too long ago, I was exactly where you are right now.
I had a story I wanted to tell… but no agent, no Hollywood hookups, no insider pass.
By day, I was just a 9–5 software engineer. By night, I was chasing a dream that felt impossible. I sent the emails.
I made the calls. I got rejected more times than I can count.
Every door seemed closed. Every conversation ended with:
“You need representation before we can talk.”
But here’s the truth: representation doesn’t mean much when no one will represent you.
So instead of giving up, I got curious.
I took a small role as an extra in Tyler Perry’s Why Did I Get Married.
That was the first time I found myself on a real set... watching Tyler Perry direct, and seeing stars like Jill Scott and Janet Jackson perform just a few feet away.
That experience lit a fire in me. It showed me what was possible, and it made me hungry to learn how the industry really worked.
I started researching everything I could. I studied how shows actually got on air. And I began testing unconventional approaches to break in because I knew waiting on representation wasn’t the answer.
That search led me to what I now call the “Side Door”, a direct way to bypass the gatekeepers and get in front of the people who could actually say yes.
That process changed everything.
So instead of giving up, I got scrappy.
I studied the industry. I tested unconventional approaches.
And eventually, I found a side door! A direct way to bypass the gatekeepers and get straight to the people who could actually say yes.
That process changed everything.
It took me from a cubicle to producing Twiin, my own nationally televised reality show.
It led me to working alongside names like Tyler Perry, Janet Jackson, and Jill Scott.
It took me from being an outsider with a dream… to creating Twiin, my own televised reality show.
And it proved something most people never believe until they see it happen...
👉 You don’t need to be “connected” to make it in this industry. You just need the right door.
That’s why I created this Side Door Strategy.
It’s the exact strategy I used to get my show on air and I'm giving it to you.
So you don’t waste any time or years banging on closed doors.
SECRET No 1. The Side Door Strategy. The shortcut that saved me from years of rejection, wasted emails, and dead-end meetings and how you can use it to fast-track your own project.
SECRET No 2. Who to Contact and How. The overlooked approach I used to get in front of decision-makers without an agent, manager, or Hollywood connections.
SECRET No 3. Bypass the Middleman. Why chasing representation is the biggest trap most creators fall into and the smarter way to get taken seriously without one.
SECRET No 4. The Side Door Strategy + Bonus Bundle. The complete framework I used to bring Twiin to life.
BONUS No 1. The Twiin Pitch Pack. Includes my actual business plan, electronic press kit, and one-sheet template — everything you need to present your show like a pro.
BONUS No 2. The Commitment Guarantee. If you go through the system, take action, and don’t feel more confident or prepared to pitch your show, email me within 7 days, and I’ll make it right.
This isn’t theory. It’s the same process and assets I used to get Twiin on TV.
Nope. When I started, I had zero experience—just an idea and the drive to figure it out. The Playbook shows you the exact steps I used to break in without an agent, film degree, or Hollywood connections.
Absolutely. I launched my journey while living in Georgia. Your location doesn’t limit your chances—what matters is knowing how to connect with the right people. The Playbook shows you how.
It’s both. You’ll get the mindset shifts you need and step-by-step strategies: how to find contact info, pitch your show, get meetings, and position yourself so decision-makers actually listen.
I get it. I’ve been there too. But rejection isn’t the end—it’s feedback. Inside The Playbook, I’ll show you how to reframe your approach so you can turn “no” into “yes.”
Great question. I could’ve priced this as a $1,000 workshop (and people pay that every day for less). But I want this roadmap in the hands of as many creators as possible. $97 makes it accessible, while still reflecting the value.